Uli Kilian - 3D Lighting, Rendering and Compositing

Shot breakdowns / Projects (2007 - 2009)

2008 - Silkroad

Customer
Format
Length Overall
Shots #
Production Period
Faudon Movies NY, USA
Mix of Documantary/Feature Film, HD
90 Minutes
about 100
about 7 Months

Software: 3ds Max, Fusion, Photoshop, V-Ray

My Tasks:

  • Lighting/Rendering different churches in 3 different moods inside/ outside, desert/ camel, ancient city
  • Compositing supervising greenscreen, keying, tracking, DOF, CC, Fog
  • Modeling lowpoly characters, highpoly church assets, environment, stones, walls, etc
  • Animating mostly camera animation, little bit of character animation, some walkcycles
  • Texturing/Shading church flooring, windows, choir clothing, camel high detail
  • Miscellaneous camel's fur and hair, 3D-tracking

2009 - Long Night

Customer
Format
Length Overall
Production Period
private
PAL
20 Secs
hard to tell - roughly 2 weeks

Software: 3ds Max, Fusion, Photoshop, Mental Ray

My Tasks: Simply everything - no stock textures or geometry at all.

2009 - Missile Attack

Customer
Format
Length Overall
Production Period
private
HD 720
10 Secs
2 Days

Software: 3ds Max, Fusion, Photoshop

My Tasks: Everything - basis was just the foto of the city (btw: It is Graz, Austria).

2009 - Building Collapse

Customer
Format
Length Overall
Production Period
private
HD 720
20 Secs
3 Days

Software: 3ds Max, Fusion, Photoshop, Mental Ray

My Tasks: Everything - basis were 2 fotos: Background with the buildings and the room in the foreground. Camera Effects were added in post. I also did this one in the course with Allan McKay. I would highly recommend this workshop and Allan's DVDs as well.

2008 - Silkroad

Customer
Format
Length Overall
Shots #
Production Period
Faudon Movies NY, USA
Mix of Documantary/Feature Film, HD
90 Minutes
about 100
about 7 Months

Software: 3ds Max, Fusion, Photoshop, V-Ray

My Tasks:

I did some minor modeling tasks and texturing in the 3D scene. But the main part was to light the scene with V-Ray, match it to the greenscreen and composite them.

2008 - Silkroad

Customer
Format
Length Overall
Shots, Duration
Production Period
Faudon Movies NY, USA
Commercial, HD
5 Minutes
3 Shots, 12 Seconds
5 Days

Software: 3ds Max, Fusion, Photoshop, V-Ray

My Tasks:

At that time all other artists were busy doing other projects. So I had the pleasure of doing every single task.
I created approximately 800 very lowpoly characters. First I modeled about 12 different characters and derived all others from these. Nearly 300 were rigged (just quick bipeds) and animated with walkcycles or custom animations. After that i lit and rendered the scene in V-Ray and composited it onto the different backplates in Fusion.

2008 - Dying Fly

Customer
Format
Length Overall
Shots, Duration
Production Period
Saiko
Commercial, HD
30 Sec
2 Shots, 10 Seconds
2 Days

Software: 3ds Max, Fusion, Photoshop, Mental Ray

My Tasks:

  • Lighting and rendering the scene
  • Colour correction
  • I modeled everything except the fly
  • Texturing/ Shading: fly, laboratory
  • Miscellaneous: the fly's hairy bits (done by scattering tiny cylinders)

2007 - Szczesny/ Mainau

Customer
Format
Length Overall
Shots #
Production Period
Faudon Movies NY, USA
Documantary, HD/SD
90 Minutes
about 40
4 Months

Software: 3ds Max, Fusion, Photoshop, Mental-Ray

My Tasks:

  • Modeling/ Shading/ Animating/ Rendering
  • Compositing: greenscreen, keying, tracking, fog, volume light, lots of other post production
  • Miscellaneous: A lot of scripting to create, alter and animate hundreds of waterlilies

2008 - Adidas Mido (Stereoscopic)

Adidas Mido

(not part of the demoreel)

Customer
Format
Length Overall
Duration
Production Period
Adidas Eyewear
Stereoscopic Movie in HD
6 Minutes
full length
3 Weeks

Software: 3ds Max, Fusion, Photoshop, Mental Ray

My Tasks:

Except for parts of the conceptual work, I did nearly everything in this project: design, look, models (except glasses), shading/ texturing, compositing, stereoscopic supervising (together with Mario Kaufmann).
The presentation with two polarised HD-Beamers on an approx. 5m x 3m canvas had quite an impact.

2008 - Adidas Consumer Catalogue

Adidas Consumer Catalogue 2009
Customer
Format
Illustrations
Production Period
Adidas Eyewear
Print
30
3 Weeks

Software: 3ds Max, Photoshop, Mental Ray

My Tasks:

Concept, Design, Modeling (except glasses), Texturing/ Shading, Lighting, Rendering, Post
(nearly everything)

2007 - Adidas ISPO (Stereoscopic)

Adidas Ispo

(not part of the demoreel)

Customer
Format
Length Overall
Shots, Duration
Production Period
Adidas Eyewear
Stereoscopic Movie in HD
10 Minutes
12 Shots, 6 Minutes
2 Months

Software: 3ds Max, Fusion, Photoshop, Mental Ray, Premiere

My Tasks:

This was also a mix of CGI elements and filmed snowboard action. It was really fun on set seeing the pro-boarders jumping over the huge ramp (look here - I only added unsharpness in the background and CC, the rest is the real picture). Six features of the snowboard glasses called ID2 had to be visualized.
I modeled a few assets like the head. Besides design, the main task was again the stereoscopic nature and the animation/ presentation of the features.

2007 - Efkon Imagefilm (Stereoscopic)

Efkon Imagefilm

(not part of the demoreel)

Customer
Format
Length Overall
Shots, Duration
Production Period
Efkon AG
Imagefilm, HD, Stereoscopic
12 Minutes
about 100 Shots, 5 Minutes
5 Months

Software: 3ds Max, Fusion, Photoshop, Mental Ray

My Tasks:

Besides conceptual and design work (the yellow streak, BG for dancers, virtual screen design, etc) there was also a lot of modeling, texturing and animation involved.
The hard thing was the stereoscopic compositing. Recorded dancing actors (2 HD-Cams) had to interact with CGI elements like the streak or the screens. Unfortunately we didn't have hardware for realtime monitoring of the stereoscopic compositings. So I had to do the cross-eyed trick all the time... phew... the project was fun - but I often had a headache in the evening.